Now showing items 1-20 of 36

  • COMPREHENSIVE ANALYSIS OF MOVEMENT ONE OF JENNIFER HIGDON’S VIOLIN CONCERTO 

    Green, Brittany (East Carolina University, 2018-07-20)
    Jennifer Higdon (b. 1962) is quickly becoming one of the most performed and sought after American composers of our time. Her works have been played by all major American orchestras, along with several major European ...
  • AN ANALYSIS OF ALFRED SCHNITTKE'S POLYSTYLISM IN HIS STRING QUARTET NO. 3 (1983) 

    Herndon, Dallas J (East Carolina University, 2018-07-30)
    The study of polystylism and its role in the history of music is a relatively new idea; Alfred Schnittke is often regarded as the first true proponent of the term, and the bulk of his compositional output did not begin ...
  • SYMPHONY NO. 2 “SYMPHONY OF CHORALES” BY LUKAS FOSS: A STUDY IN COLLAGE AND MUSICAL BORROWING 

    Powers, Alec (East Carolina University, 2018-07-20)
    In his second symphony, the Symphony of Chorales (1958), Foss seems to be struggling to merge two identities, his Stravinskian Neoclassicism and his improvisation-influenced experimentalism. The mature Foss is first able ...
  • Ty Matson: Senior Recital, Trombone 

    Matson, Ty Christian (East Carolina University, 2018-05-24)
    This Senior Honors Project is entitled “Ty Matson: Senior Recital, Trombone.” The author of the project is Ty Matson. The Senior Honors Project was the preparation and performance of my senior trombone recital, with program ...
  • THE FOUNDATION OF MUSIC 

    Castillo, Jean (East Carolina University, 2018-05-01)
    Music is a powerful tool that can be heard all over the world. It is used as a means of expressing emotions, overcoming obstacles, and establishing an identity as an individual and as a culture. I plan to create a program ...
  • Flute Music Throughout the Years 

    Koloustroubis, Katerina Elizabeth (East Carolina University, 2018-05-03)
    To fulfill the Senior Honors Project requirements, I have chosen to partake in a senior recital performance of flute works from a range of eras, genres, and styles. As I began my musical journey at the mere age of three, ...
  • Florestan and Eusebius: A Look into the Critical and Creative Mindset of Robert Schumann Through the Study of Selected Writings and Fantasiestücke op. 73 für Klavier und Klarinette 

    Lewis, Lauren B (East Carolina University, 2018-05-24)
    Robert Schumann was an extremely influential composer and music critic during the Romantic era. Recognized for his strong connection between literature and music, musicians remember Schumann as one of the great composers ...
  • Thoughts on Temporal Perception's Relativity in Grisey's Vortex Temporum and Voss's Perspectives 

    Voss, Emerson (East Carolina University, 2017-07-21)
    This thesis centers around a comparative analysis between an instrumental work, Vortex Temporum (1995), by Gérard Grisey (1946-98), and a mixed media work by Emerson Voss (b. 1991), Perspectives (2017). This essay articulates ...
  • A STUDY ON THE MUSIC EDUCATOR’S VIEW OF MENTORSHIP IN NORTH CAROLINA 

    Martel, Jenna L (East Carolina University, 2017-05-03)
    The purpose of this study was to investigate the overall perception of the mentorship-training program in the state of North Carolina through the music educator lens. Four main questions guided this study: (1) What are the ...
  • A PHENOMONOLOGICAL APPROACH TO FOUR PIECES 

    Wells, Timothy (East Carolina University, 2016-05-03)
    This paper explores the use of phenomenological analysis as prescribed by Lawrence Ferrara. After a brief explanation of some of the questions and issues leading to a phenomenological approach, four pieces are analyzed in ...
  • Music Discovery Requirements Document 

    Newcomer, Nara L. (2012-02-24)
    The world of discovery in general and of library discovery in particular is changing rapidly today. FRBR, RDA, discovery tools, and faceted browsing are key factors related to these changes in the way our users encounter ...
  • Vyvirian Folk Tale (The Merry Trickster) 

    Guthrie, Michelle; Ward, Julian (2016-03-31)
    Premiere performance of a composition for violin by ECU student composer Julian Ward. Performed by Michelle Guthrie. Recorded at A.J. Fletcher Recital Hall on 31 March 2016.
  • Cavern 

    Ward, Julian; Ward, Julian (2015-04-20)
    Premiere performance of a composition for electronic media by ECU student composer Julian Ward. Recorded at A.J. Fletcher Recital Hall on April 20th, 2015
  • Skyward 

    Rose, Patrick (2015-04-20)
    Premiere performance of a composition for violin and piano by ECU student composer Patrick Rose. Recorded at A.J. Fletcher Recital Hall on April 20th, 2015
  • An Eclectic Collection of Jewish-Inspired Viola Music: An Informed Performance 

    Logan, Madaline (2015)
    Music performance in a recital setting involves the integration of numerous elements and tools rigorously studied and refined over a substantial number of years. These components include: the physical playing of the ...
  • Light Beneath a Canopy (First Movement) 

    Ward, Isaac (2015-04-20)
    Premiere performance of a composition for brass ensemble by ECU student composer Isaac Ward. Recorded at A.J. Fletcher Recital Hall on April 20th, 2015
  • A Rainy Night in the City 

    Ward, Isaac (2015-04-20)
    Premiere performance of a composition for bassoon and piano by ECU student composer Isaac Ward. Recorded at A.J. Fletcher Recital Hall on April 20th, 2015
  • Motivational speakers 

    Ward, Isaac (2015-04-20)
    Premiere performance of a composition for electronic media by ECU student composer Isaac Ward. Recorded at A.J. Fletcher Recital Hall on April 20th, 2015
  • In the Field 

    Sledge, Ben; Kunz, Sammie; Foster, Symphony; Lloyd, Jessica (2015-03-22)
    Premiere performance of a composition for three unaccompanied vocalists by ECU student composer Ben Sledge. Recorded at A.J. Fletcher Recital Hall on March 22nd, 2015.
  • Let Him Kiss Me 

    Franklin, Nia; Sledge, Ben (2015-03-22)
    Premiere performance of a composition for soprano voice and piano by ECU student composer Nia Franklin. Recorded at A.J. Fletcher Recital Hall on March 22nd, 2015.