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    An Analysis of Donald Grantham's Baron Cimetière's Mambo and Baron Samedi's Sarabande (and Soft Shoe).

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    Author
    Jackson, Bonnie Rebecca
    Abstract
    The present analysis summarizes and clarifies the compositional tools and techniques employed in Donald Grantham's Baron Cimetière's Mambo (2004) and Baron Samedi's Sarbande (and Soft Shoe) (2005) in the context of their dance styles and literary influence. The investigation will begin with a summary of the composer's life and compositional training, followed by a review of literature on the aforementioned dance forms and the Haitian Voodoo loas, Baron Cimetière and Baron Samedi. The analysis is organized into two chapters and utilizes a number of post-tonal compositional theories.  
    URI
    http://hdl.handle.net/10342/2950
    Subject
     Music; Fine arts; Baron Cimetière's mambo; Baron Samedi's sarabande (and soft shoe) 
    Date
    2010
    Citation:
    APA:
    Jackson, Bonnie Rebecca. (January 2010). An Analysis of Donald Grantham's Baron Cimetière's Mambo and Baron Samedi's Sarabande (and Soft Shoe). (Master's Thesis, East Carolina University). Retrieved from the Scholarship. (http://hdl.handle.net/10342/2950.)

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    MLA:
    Jackson, Bonnie Rebecca. An Analysis of Donald Grantham's Baron Cimetière's Mambo and Baron Samedi's Sarabande (and Soft Shoe).. Master's Thesis. East Carolina University, January 2010. The Scholarship. http://hdl.handle.net/10342/2950. March 06, 2021.
    Chicago:
    Jackson, Bonnie Rebecca, “An Analysis of Donald Grantham's Baron Cimetière's Mambo and Baron Samedi's Sarabande (and Soft Shoe).” (Master's Thesis., East Carolina University, January 2010).
    AMA:
    Jackson, Bonnie Rebecca. An Analysis of Donald Grantham's Baron Cimetière's Mambo and Baron Samedi's Sarabande (and Soft Shoe). [Master's Thesis]. Greenville, NC: East Carolina University; January 2010.
    Collections
    • Master's Theses
    • School of Music
    Publisher
    East Carolina University

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