Advisor | Carr-Richardson, Amy | en_US |
Author | Jackson, Bonnie Rebecca | en_US |
Date Accessioned | 2010-09-16T13:23:08Z | en_US |
Date Accessioned | 2011-05-16T20:12:19Z | |
Date Available | 2010-09-16T13:23:08Z | en_US |
Date Available | 2011-05-16T20:12:19Z | |
Date of Issue | 2010 | en_US |
Identifier (URI) | http://hdl.handle.net/10342/2950 | en_US |
Description | The present analysis summarizes and clarifies the compositional tools and techniques employed in Donald Grantham's Baron Cimetière's Mambo (2004) and Baron Samedi's Sarbande (and Soft Shoe) (2005) in the context of their dance styles and literary influence. The investigation will begin with a summary of the composer's life and compositional training, followed by a review of literature on the aforementioned dance forms and the Haitian Voodoo loas, Baron Cimetière and Baron Samedi. The analysis is organized into two chapters and utilizes a number of post-tonal compositional theories. | en_US |
Extent | 67 p. | en_US |
Format Medium | dissertations, academic | en_US |
Language | eng | en_US |
Publisher | East Carolina University | en_US |
Subject | Music | en_US |
Subject | Fine arts | en_US |
Subject | Baron Cimetière's mambo | |
Subject | Baron Samedi's sarabande (and soft shoe) | |
Library of Congress Subject Headings | Grantham, Donald, 1947- . Baron Cimetière's mambo | en_US |
Library of Congress Subject Headings | Grantham, Donald, 1947- . Baron Samedi's sarabande (and soft shoe) | en_US |
Title | An Analysis of Donald Grantham's Baron Cimetière's Mambo and Baron Samedi's Sarabande (and Soft Shoe). | en_US |
Type | Master's Thesis | en_US |
Department | Music - Theory and Composition | en_US |
Degree | M.M. | en_US |