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The Contour of Developmental Music: Analog of the Plot Diagram

dc.access.optionOpen Access
dc.contributor.advisorTaggart, Mark
dc.contributor.authorBellardini, Nick
dc.contributor.departmentMusic
dc.date.accessioned2021-06-29T01:14:36Z
dc.date.available2021-06-29T01:14:36Z
dc.date.created2021-05
dc.date.issued2021-05-28
dc.date.submittedMay 2021
dc.date.updated2021-06-18T19:10:33Z
dc.degree.departmentMusic
dc.degree.disciplineMusic
dc.degree.grantorEast Carolina University
dc.degree.levelUndergraduate
dc.degree.nameBM
dc.description.abstractIn my studies in music, I have always found the programmatic aspect to be powerful. Within my music, I always strive for a programmatic aspect, tying in motifs to stage stories or recall past events. Overall, the driving force of music provides, in many cases, an analog for a plot contour commonly found in stories. In this recital, two pieces stylistically do not lend themselves to plot contours, while the capstone Classical pieces both demonstrate a climax through development, using recurring themes. While music is not necessarily definitive in its programmatic capabilities, the final work is intentionally defined by its narrative. The wordless styles of music carry followable patterns that in essence describe characters. With repetition in music, these abstract “characters” go through syntactic developments akin to a story.
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10342/9184
dc.publisherEast Carolina University
dc.subjectMusical narrative
dc.subjectclassical music
dc.subjectjazz music
dc.titleThe Contour of Developmental Music: Analog of the Plot Diagram
dc.typeHonors Creative Endeavor
dc.type.materialtext

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