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Echoed Plexus

dc.contributor.advisorBlake, Bethen_US
dc.contributor.authorPipkin, Bethanyen_US
dc.contributor.departmentArten_US
dc.date.accessioned2013-06-06T12:19:07Z
dc.date.available2013-06-06T12:19:07Z
dc.date.issued2013en_US
dc.description.abstractThis is a report of a creative thesis to complete the Master of Fine Arts degree at East Carolina University. The body of work presented focuses on the scientific theory of emergence as a connection between the structures of forms from the microcosm to the macrocosm. The work includes visual depictions of the micro and the macro created using both the Scanning Electron Microscope and the traditional methods of drawing and painting. These are metaphors for the duality of the idea of self as an immense and intricate system of millions of complex functions as well as miniscule cell within an infinite expanse of presence and instance.  en_US
dc.description.degreeM.F.A.en_US
dc.format.extent48 p.en_US
dc.format.mediumdissertations, academicen_US
dc.identifier.urihttp://hdl.handle.net/10342/1774
dc.language.isoen_US
dc.publisherEast Carolina Universityen_US
dc.subjectFine artsen_US
dc.subject.lcshMicrocosm and macrocosm in art
dc.subject.lcshArt, Abstract
dc.subject.lcshAcrylic painting
dc.subject.lcshCharcoal drawing
dc.subject.lcshPastel drawing
dc.titleEchoed Plexusen_US
dc.typeMaster's Thesisen_US

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