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Everything and Nothing Changes

dc.contributor.advisorJubran, Hannaen_US
dc.contributor.authorHarding, Matten_US
dc.contributor.departmentArten_US
dc.date.accessioned2013-06-06T12:19:06Z
dc.date.available2013-06-06T12:19:06Z
dc.date.issued2013en_US
dc.description.abstractThis report is the creative thesis of my sculptural works completed at East Carolina University. Signage, sculpture and antique transportation technology influence the technical processes and geometric forms which support a surface inspired by my exploration in the history of automotive painting techniques. Despite the specificity of my influences, a universal visual language of patterning and shapes emerges within the work. This recognizable language forces people to associate meaning with the objects, whether they want to or not. With this tactic, I wish to slow the speed of modern life and (re)explore our connection to the past. Creating works that are public interventions led to the discovery, usage and testing of Orgonite in sculpture, which has become a large part of my creative practice.  en_US
dc.description.degreeM.F.A.en_US
dc.format.extent25 p.en_US
dc.format.mediumdissertations, academicen_US
dc.identifier.urihttp://hdl.handle.net/10342/1771
dc.language.isoen_US
dc.publisherEast Carolina Universityen_US
dc.subjectFine artsen_US
dc.subjectArten_US
dc.subjectCastingen_US
dc.subjectMetalsen_US
dc.subjectSculptureen_US
dc.subjectWeldingen_US
dc.subject.lcshMetal sculpture
dc.subject.lcshOrgonomy
dc.titleEverything and Nothing Changesen_US
dc.typeMaster's Thesisen_US

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