The Definition of the Work Entity for Pieces of Recorded Sound

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dc.contributor.authorHolden, Christopher
dc.date.accessioned2015-11-12T12:32:20Z
dc.date.available2015-11-12T12:32:20Z
dc.date.issued2015-10
dc.description.abstractThe traditional work-instance model differentiates between the intellectual content of a work and the semantic content of its material instantiations. Most scholarship on musical works has concentrated on classical music within the Western canon, and little attention has been paid to other genres of music. This article explores what would constitute an effective work-instance model applicable to sound recordings of non-classical music, examines the shortcomings of the standard work-instance model, and offers new perspectives on the idea of the musical work by integrating the views of philosophers and musicologists, suggesting an interdisciplinary approach to the knowledge organization of musical works. This is an Accepted Manuscript of an article published by Taylor & Francis in Cataloging & Classification Quarterly on 23 Oct 2015, available online: http://www.tandfonline.com/10.1080/01639374.2015.1057886.en_US
dc.identifier.citationCataloging & Classification Quarterly; 53:8 p. 873-894en_US
dc.identifier.doi10.1080/01639374.2015.1057886
dc.identifier.doi10.1080/01639374.2015.1057886
dc.identifier.urihttp://hdl.handle.net/10342/5064
dc.language.isoen_USen_US
dc.relation.urihttp://dx.doi.org/10.1080/01639374.2015.1057886en_US
dc.subjectMusical worksen_US
dc.subjectMusic catalogingen_US
dc.subjectSound recordingsen_US
dc.titleThe Definition of the Work Entity for Pieces of Recorded Sounden_US
dc.typeArticleen_US
ecu.journal.issue8
ecu.journal.nameCataloging & Classification Quarterly
ecu.journal.pages873-894
ecu.journal.volume53

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