Alienation and Ethnic Identities in "Growing Up Ethnic in America," "Borderlands/La Frontera," and "The Day Nina Simone Stopped Singing"
dc.contributor.advisor | Taylor, Richard C., 1956- | en_US |
dc.contributor.author | Long, Brittany Ann | en_US |
dc.contributor.department | English | en_US |
dc.date.accessioned | 2015-06-04T19:53:54Z | |
dc.date.available | 2015-06-04T19:53:54Z | |
dc.date.issued | 2015 | en_US |
dc.description.abstract | This thesis examines the concept of alienation during adolescence as an influential factor in ethnic identity development. The negative effects of alienation are frequently explored, but I argue experiences concerning alienation cannot necessarily be described on a spectrum from negative to positive. Rather, alienation of an ethnic individual due to immigration, coming-of-age, family dynamics, or other situations results in a force which guides him or her to creating a unique identity. This identity is a result of the elaborate analyzing cultures from a more objective perspective. The development of an ethnic identity is a process in which a person grapples with morality, personal beliefs, and pressure from outside sources such as parental influence and religion. This thesis analyzes three primary texts: Growing Up Ethnic in America by Maria M. Gillan and Jennifer Gillan, Borderlands/La Frontera by Gloria Anzaldúa, and The Day Nina Simone Stopped Singing by Darina Al-Joundi. These texts feature first-hand accounts of alienation, the majority from the perspective of young women. | en_US |
dc.description.degree | M.A. | en_US |
dc.format.extent | 57 p. | en_US |
dc.format.medium | dissertations, academic | en_US |
dc.identifier.uri | http://hdl.handle.net/10342/4906 | |
dc.language.iso | en_US | |
dc.publisher | East Carolina University | en_US |
dc.subject | Ethnic studies | en_US |
dc.subject | Literature | en_US |
dc.subject | Regional studies | en_US |
dc.subject | Adolescence | en_US |
dc.subject | Alienation | en_US |
dc.subject | Culture | en_US |
dc.subject | Identity | en_US |
dc.subject | Multicultural | en_US |
dc.subject | Borderlands (Anzaldúa) | |
dc.subject | Frontera, La | |
dc.subject | Jour où Nina Simone a cessé de chanter, Le | |
dc.subject | Day Nina Simone stopped singing, The | |
dc.subject.lcsh | Identity (Philosophical concept) in literature | |
dc.subject.lcsh | Alienation (Social psychology) in literature | |
dc.subject.lcsh | Teenage girls--Fiction. | |
dc.subject.lcsh | Ethnic groups in literature | |
dc.subject.lcsh | Growing up ethnic in America | |
dc.subject.lcsh | Anzaldúa, Gloria--Criticism and interpretation | |
dc.subject.lcsh | Anzaldúa, Gloria. Borderlands | |
dc.subject.lcsh | Al-Joundi, Darina, 1968- --Criticism and interpretation | |
dc.subject.lcsh | Al-Joundi, Darina, 1968- . Jour où Nina Simone a cessé de chanter | |
dc.title | Alienation and Ethnic Identities in "Growing Up Ethnic in America," "Borderlands/La Frontera," and "The Day Nina Simone Stopped Singing" | en_US |
dc.type | Master's Thesis | en_US |
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