Presently Post Modern
| dc.contributor.advisor | Kariko, Daniel | en_US |
| dc.contributor.author | Brines, Nathan | en_US |
| dc.contributor.department | Art | en_US |
| dc.date.accessioned | 2011-08-22T15:13:50Z | |
| dc.date.available | 2011-08-22T15:13:50Z | |
| dc.date.issued | 2011 | en_US |
| dc.description.abstract | The museum, Fine Art, and the viewer's idea of status within these institutions are all ideologies. These ideologies are reinforced through our participation in them, acting them out as though they are natural. Photography has a specific cultural context that allows me to utilize it to redisplay the ideologies of the viewer to the viewer. | en_US |
| dc.description.degree | M.F.A. | en_US |
| dc.format.extent | 35 p. | en_US |
| dc.format.medium | dissertations, academic | en_US |
| dc.identifier.uri | http://hdl.handle.net/10342/3637 | |
| dc.language.iso | en_US | |
| dc.publisher | East Carolina University | en_US |
| dc.subject | Art criticism | en_US |
| dc.subject | Art | en_US |
| dc.subject | Fine arts | en_US |
| dc.subject | Postmodernism | en_US |
| dc.subject.lcsh | Composition (Photography) | |
| dc.subject.lcsh | Photography | |
| dc.title | Presently Post Modern | en_US |
| dc.type | Master's Thesis | en_US |
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