Advisor | Kariko, Daniel | en_US |
Author | Brines, Nathan | en_US |
Date Accessioned | 2011-08-22T15:13:50Z | |
Date Available | 2011-08-22T15:13:50Z | |
Date of Issue | 2011 | en_US |
Identifier (URI) | http://hdl.handle.net/10342/3637 | |
Description | The museum, Fine Art, and the viewer's idea of status within these institutions are all ideologies. These ideologies are reinforced through our participation in them, acting them out as though they are natural. Photography has a specific cultural context that allows me to utilize it to redisplay the ideologies of the viewer to the viewer. | en_US |
Extent | 35 p. | en_US |
Format Medium | dissertations, academic | en_US |
Language | | en_US |
Publisher | East Carolina University | en_US |
Subject | Art criticism | en_US |
Subject | Art | en_US |
Subject | Fine arts | en_US |
Subject | Postmodernism | en_US |
Library of Congress Subject Headings | Composition (Photography) | |
Library of Congress Subject Headings | Photography | |
Title | Presently Post Modern | en_US |
Type | Master's Thesis | en_US |
Department | Art | en_US |
Degree | M.F.A. | en_US |