A PHENOMONOLOGICAL APPROACH TO FOUR PIECES

dc.access.option	Open Access
dc.contributor.advisor	Guberman, Daniel
dc.contributor.author	Wells, Timothy
dc.contributor.department	School of Music
dc.date.accessioned	2016-05-26T13:54:51Z
dc.date.available	2016-05-26T13:54:51Z
dc.date.created	2016-05
dc.date.issued	2016-05-03
dc.date.submitted	May 2016
dc.date.updated	2016-05-25T18:28:12Z
dc.degree.department	School of Music
dc.degree.discipline	MM-Theory-Composition
dc.degree.grantor	East Carolina University
dc.degree.level	Masters
dc.degree.name	M.M.
dc.description.abstract	This paper explores the use of phenomenological analysis as prescribed by Lawrence Ferrara. After a brief explanation of some of the questions and issues leading to a phenomenological approach, four pieces are analyzed in order to better understand and test Ferrara's technique.
dc.format.mimetype	application/pdf
dc.identifier.uri	http://hdl.handle.net/10342/5360
dc.language.iso	en
dc.publisher	East Carolina University
dc.subject.lcsh	Phenomenology and music
dc.subject.lcsh	Subotnick, Morton. Wild bull. part A
dc.subject.lcsh	Truax, Barry. Blind man
dc.subject.lcsh	Josquin, des Prez. Ave Maria (Virgo serena)
dc.subject.lcsh	Stravinsky, Igor, 1882-1971. Sermon, a narrative, and a prayer
dc.subject.lcsh	Ferrara, Lawrence
dc.title	A PHENOMONOLOGICAL APPROACH TO FOUR PIECES
dc.type	Master's Thesis
dc.type.material	text

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