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Metempsychosis & Reincarnation

dc.access.optionOpen Access
dc.contributor.advisorLazure, Timothy
dc.contributor.authorGuan, Kerry Yichen
dc.contributor.departmentSchool of Art and Design
dc.date.accessioned2021-06-04T13:25:00Z
dc.date.available2021-06-04T13:25:00Z
dc.date.created2021-05
dc.date.issued2021-05-03
dc.date.submittedMay 2021
dc.date.updated2021-06-02T16:01:01Z
dc.degree.departmentSchool of Art and Design
dc.degree.disciplineMFA-Art
dc.degree.grantorEast Carolina University
dc.degree.levelMasters
dc.degree.nameM.F.A.
dc.description.abstractA flower's beauty does not last forever; the leaves wilt, and the petals fall to the ground until next season when the cycle begins. The moment a flower blooms is the beginning moment it starts to fade away. Metempsychosis (reincarnation) has always interested me. This concept has helped me reduce the fear of death, giving me the strength to recognize that death is not a final destination because our lives are going to repeat in another modality. The impetus for this body of work comes from noticing Chinese social and political events repeating themselves throughout history. My thesis exhibition consists of a series of small-scaled enameled wearable artworks. The imagery I create with flowers falls into three different categories: seeding, blooming, and decaying. These flowers illustrate the concept of reincarnation: birth, growth, death, and returning to be reborn. The flower represents Chinese history and political protests; its life cycle is used to discuss this history, with hopes for a progressive future.
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10342/9041
dc.language.isoen
dc.publisherEast Carolina University
dc.subjectEnameling
dc.subjectMetal design
dc.subject.lcshReincarnation in art
dc.subject.lcshTransmigration--Art
dc.subject.lcshFlowers in art
dc.subject.lcshChina--History
dc.titleMetempsychosis & Reincarnation
dc.typeMaster's Thesis
dc.type.materialtext

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