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Manifestations of Tribalography in Indigenous American Literature: LeAnne Howe and Beyond

dc.access.optionOpen Access
dc.contributor.advisorSquint, Kirstin L., 1973-
dc.contributor.authorBrown, Megan
dc.contributor.departmentEnglish
dc.date.accessioned2021-06-14T02:44:57Z
dc.date.available2023-05-01T08:01:57Z
dc.date.created2021-05
dc.date.issued2021-05-03
dc.date.submittedMay 2021
dc.date.updated2021-06-02T16:01:24Z
dc.degree.departmentEnglish
dc.degree.disciplineMA-English
dc.degree.grantorEast Carolina University
dc.degree.levelMasters
dc.degree.nameM.A.
dc.description.abstractLeAnne Howe has contributed to interpretations of American Indian storytelling by coining the term "tribalography" as the stories that bring us together, American Indian and non-Native peoples, through the past, present and future. She broadened the term by introducing embodied tribalography, incorporating the land, body, language, and mind. Howe's creative works display her theories but can also be applied outside of her work. After looking at Howe's work as a model for tribalographic texts, The Grass Dancer will be explored as an example of tribalography, and The Indolent Boys by N. Scott Momaday will be explored as an example of embodied tribalography.
dc.embargo.lift2023-05-01
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10342/9113
dc.language.isoen
dc.publisherEast Carolina University
dc.subjectTribalography
dc.subjectEmbodied Tribalography
dc.subject.lcshAmerican literature--Indian authors
dc.subject.lcshHowe, LeAnne
dc.subject.lcshPower, Susan, 1961-. The grass dancer
dc.subject.lcshMomaday, N. Scott, 1934-. Plays. Selections
dc.titleManifestations of Tribalography in Indigenous American Literature: LeAnne Howe and Beyond
dc.typeMaster's Thesis
dc.type.materialtext

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