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“IMAGINARY LINES”: CROSSING BORDERS IN LESLIE MARMON SILKO’S ALMANAC OF THE DEAD AND GARDENS IN THE DUNES

dc.access.optionOpen
dc.contributor.advisorHuang, Su-ching
dc.contributor.authorCarraway, Taylor Nicole
dc.date.accessioned2020-10-07T01:51:15Z
dc.date.available2020-10-07T01:51:15Z
dc.date.created8/5/2020
dc.date.issued8/5/2020
dc.degree.departmentEnglish
dc.degree.disciplineEnglish
dc.degree.grantorEast Carolina University
dc.degree.levelMA
dc.degree.nameMasters of Arts in English
dc.description.abstractApplying Gloria Anzaldua's Borderlands Theory to Leslie Marmon Silko's novels Almanac of the Dead and Gardens in the Dunes shows how Silko's inclusion of borders and border crossings in her writing highlights the history of oppression in the United States, and the lingering effects of colonialism that marginalized peoples still face today. With border crossings in her novels, Silko also honors indigenous survival and resistance. Despite the constant dislocation and unnatural borders that are imposed upon them throughout history, Native Americans continue to challenge and cross them as a way to survive by resistance; always honoring their traditional cultures and relationships with the ancestral lands they love.
dc.format.extent47 p.
dc.identifier.urihttp://hdl.handle.net/10342/8707
dc.publisherEast Carolina University
dc.subject.lcshSilko, Leslie Marmon, 1948-, Almanac of the dead
dc.subject.lcshSilko, Leslie Marmon, 1948- ,Gardens in the dunes
dc.subject.lcshBorderlands in literature
dc.subject.lcshIndians of North America--Fiction
dc.subject.lcshAcculturation in literature
dc.subject.lcshAnzaldúa, Gloria
dc.title“IMAGINARY LINES”: CROSSING BORDERS IN LESLIE MARMON SILKO’S ALMANAC OF THE DEAD AND GARDENS IN THE DUNES
dc.typeMaster's Thesis

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