CTRL + ©

dc.contributor.advisor	Dan Elliott
dc.contributor.author	Estes, Parker
dc.contributor.committeeMember	Lisa Beth Robinson
dc.contributor.committeeMember	Angela Franks Wells
dc.contributor.department	Art
dc.date.accessioned	2025-06-05T17:33:11Z
dc.date.available	2025-06-05T17:33:11Z
dc.date.created	2025-05
dc.date.issued	May 2025
dc.date.submitted	May 2025
dc.date.updated	2025-05-22T21:15:19Z
dc.degree.college	College of Fine Arts and Communication
dc.degree.grantor	East Carolina University
dc.degree.major	MFA-Art
dc.degree.name	M.A.
dc.degree.program	MFA-Art
dc.description.abstract	Copyright law pervades the decision making of all creative mediums in the contemporary global economy. Rather than existing as a mechanism for protecting individual creators, this current system of copyright priviledges large corporations and effectively flattens the cultural landscape by enclosing upon the public domain, restricts free cultural exchange, and narrows creative decision making. This paper and exhibition makes the argument for a critical evaluation of the current global system of copyright, primarily as driven by U.S. copyright law, and discusses the design theories and research methods behind the creation of the exhibition: CTRL + ©.
dc.format.mimetype	application/pdf
dc.identifier.uri	http://hdl.handle.net/10342/14052
dc.language.iso	English
dc.publisher	East Carolina University
dc.subject	Fine Arts
dc.title	CTRL + ©
dc.type	Master's Thesis
dc.type.material	text

Files

Now showing 1 - 1 of 1