Reclamation of Monotony

dc.contributor.advisorTimothy Lazure
dc.contributor.authorShotton, Chase
dc.contributor.committeeMemberAngela Wells
dc.contributor.committeeMemberLisa Beth Robinson
dc.contributor.departmentArt
dc.date.accessioned2025-10-25T16:23:32Z
dc.date.created2025-07
dc.date.issuedJuly 2025
dc.date.submittedJuly 2025
dc.date.updated2025-10-23T20:05:22Z
dc.degree.collegeCollege of Fine Arts and Communication
dc.degree.grantorEast Carolina University
dc.degree.majorMFA-Art
dc.degree.nameM.F.A.
dc.degree.programMFA-Art
dc.description.abstractIn a culture shaped by instant gratification and overstimulation, where attention spans are increasingly fragmented, the act of making becomes a form of resistance. Reclamation of Monotony is a body of metalwork that explores the meditative potential of repetition through the use of Russian filigree, wire wrapping, and enameling techniques. These practices are slow, methodical, and often monotonous. The process of coiling wires, wrapping and binding forms, filling cells with enamel, firing, and finishing requires sustained concentration and presence. Rather than viewing monotony as a creative limitation, this work embraces it as a site of depth, ritual, and focus. This thesis frames my studio process as an embodied rebellion against the pace and pressure of contemporary digital life. Through intentional slowness and attention to detail, each piece asserts the value of patience, presence, and the handmade. The resulting work becomes both a record of time spent and a counterpoint to the disembodied immediacy of modern consumption. By foregrounding the tactile, the repetitive, and the unhurried, this project seeks to reclaim monotony not as boredom, but as devotion.
dc.format.mimetypeapplication/pdf
dc.identifier.urihttp://hdl.handle.net/10342/14316
dc.language.isoEnglish
dc.publisherEast Carolina University
dc.subjectAesthetics
dc.subjectDesign and Decorative Arts
dc.subjectDesign
dc.titleReclamation of Monotony
dc.typeMaster's Thesis
dc.type.materialtext

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