Blending Lines: Interactive Experiences with Arab Culture

Abstract

This thesis examines the integration of Islamic geometric patterns and traditional Kufic calligraphy into contemporary interactive design. The work highlights the historical and cultural significance of Islamic geometric patterns as a cornerstone of Arab identity while exploring the intellectual and spiritual depth embodied by traditional Kufic calligraphy. By bridging Arab cultural heritage with modern design practices, the work seeks to foster audience engagement and increase awareness of this rich culture and history. Designed to engage diverse audiences with Arab culture through traditional and contemporary approaches, the thesis culminates in an immersive experience that blends physical and digital installations. The physical installations are comprised of three hand-crafted wooden geometric motifs integrated with Kufic calligraphy written by macrame cords. The wood and cotton cords demonstrate the Arab appreciation of natural materials, as nature has been the primary source of inspiration in the Arab world. The digital installations complement this by using projection, light, and patterns to display large-scale graphics on an adjacent wall. With ultrasonic sensors and a Raspberry Pi, the installation creates an interactive experience where digital projections respond to visitors' movements through the space by shifting colors and patterns. This interaction is crucial; as learning evolves through participation and reinterpretation, this exhibition aims to engage people similarly. Through this research, the thesis underscores the power of design as a medium for education and cultural connection, mainly as it generates connections between tradition and innovation.